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metropoli project
At the beginning of 2000 I started an ambitious project to investigate
and photograph Britain's major post-industrial cities.
My aim has been to document the multi-layered character of metropolitan
areas and to produce a coherent series of images which reflect the positive
achievements and realities within our continually changing urban space. I
have tried to remain objective in this documentary work but a theme
that has became increasingly important is to question as well as celebrate
our collective responsibility in shaping the environments in which we
live.
urban dreams
During the early 1980’s I documented aspects of the industrial
and urban landscape of Britain. These images formed the publication
"A Green & Pleasant Land". Until then many British cities
were still the nerve centres for industrial activity. During the 80’s
and increasingly in the 90’s many of these metropolitan centres
saw significant changes in their economic fortunes with the growth of
service industries and a decline in industrial production and loss of
population. By the beginning of the 21st C. these post-industrial
cities had started to re-invent their role and image as centres for
knowledge and learning, culture and entertainment along with the prerequisite
of numerous shopping re-developments and the creation of urban icons.
Many commercial developers saw substantial opportunities in transforming
run-down office and industrial buildings into designer apartments, bars
and retail outlets.
Each city has developed strategies to increase its competitive
advantage to attract inward investment and commerce. Batteries of urban
designers have been employed to create improvements in the public realm,
transport and infrastructure of the entire city with the city
centre as the focal point for civic aspiration and commercial gain.
In these new pictures this is one of the themes I have attempted to
document to make sense of development and change in the modern city.
the cities
With each city I have developed different themes concerned with the
infrastructure and social architecture of our urban environment. In
the city of London I explored the major arterial road links which run
through the capital. In Birmingham and Glasgow I documented the open
central spaces which attract people - especially the popular visited
areas and the structures symbolising civic pride. The Manchester
work concentrates on the newly created open pedestrian spaces which
are associated with recent building developments in the city centre.
In Newcastle and Gateshead it was the historic layering of building
development. The Liverpool images focus on the structures and symbols
associated with Britain as a warring nation.
This work has been funded or sponsored by Ffotogallery in Cardiff,
Birmingham Central Library, Arts Council of Wales, Museum of London,
Newcastle and Gateshead City Councils, Manchester City Galleries and
Lyson Limited. My special thanks to Ffotogallery who originally gave
seed funding to support the Metropoli project.
previous exhibitions
2004 Ffotogallery at Turner House Gallery, Penarth
(near Cardiff) presented a selection of all eight cities, January
to February.
2003 Manchester Art Gallery and Urbis
in Manchester jointly showed large format colour prints of central
Manchester, May to September.
2002 Zelda Cheatle Gallery in London showed colour
prints of London and B&W prints from Birmingham, Belfast, Glasgow,
Swansea and Newcastle/Gateshead, July to September.
2002 Belfast Exposed showed the first part of the
Metropoli exhibition, January to February
2001 Birmingham Museum & Art Gallery showed
Birmingham work, May to September.
2001 Ffotogallery in Cardiff showed the first part
of the Metropoli exhibition which included work from Belfast, Birmingham,
Glasgow & Swansea, February to April.

"The virtue of pictures taken on this scale and with this
degree of precision is that they can sustain any amount of reflection."
from Portfolio Magazine, in Ian Jeffrey's review, "Far and
Wide - The City Pictures of John Davies", May 2001.
"When a photographer as consistent and reliable
as John Davies turns to digital, arts world eyebrows are raised...
His admirers need not worry; the pictures are classic John Davies...
Davies' expertise lies in how little he seems to say about the places
he shows; with carefully planned overhead viewpoints, ultra-wide perspective
and all-over sharpness he seems to show us everything, and invites
us to look where we like and draw our own conclusions."
from City Life Magazine, in Paul Herrmann's review of the "Metropolis:
Manchester" exhibition at Manchester Art gallery in May 2003.
Images may not be reproduced in any form
or by any means without the permission of John DaviesPhoto
and material Copyright © John Davies 1976 - 2004
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